THE OFFICIAL SITE OF JOSE CRUZ (the one who’s the writer)

Review

  • REVIEW: Probably Monsters by Ray Cluley

    Even after all we’ve learned of mankind’s potential for harm, we still feel a small sense of shock whenever we engage with genre fiction and discover that the writer’s most horrendous creations look uncomfortably familiar to ourselves. British author Ray Cluley’s first collection Probably Monsters seems to promise one thing while delivering something else; the curlicue tentacle weaving from the…

  • REVIEW: High Strange Horror ed. Jonathan Raab

    Though we’ve seen a deluge of new Weird Fiction in recent years, even the savviest reader might be at a loss to identify what exactly the “high strange horror” of Muzzleland Press’s anthology is. A quick glance at the cover with its Gray Man motel tenant and merit badges of mystery will give one a good notion.…

  • REVIEW: Skein and Bone by V. H. Leslie

    “The past is never dead. It’s not even the past.” Though he likely wasn’t aware of the fact, William Faulkner summarized a good majority of horror fiction with this eloquent little truth. The artifacts of the past constantly surround us. They are buried in the soil of our land, the stone of our homes, the flesh of…

  • REVIEW: Gateways to Abomination by Matthew M. Bartlett

    Truly, for authors who are considering their first foray into the realm of self-publishing, Matthew M. Bartlett’s Gateways to Abomination should be used as one of the prime texts in terms of both professional refinement and freedom of creative expression. There have been books issued by third-party publishers that have had more instances of typographical…

  • THE MAN AND THE MONSTER (1958)

    Back in January I stopped over in Tampa to check out Grindhouse Video, a new movie store that had just set up shop. Generally speaking, my tastes lean more towards dustier and Gothic fare than sweaty exploitation, but GV had some pretty tempting titles in stock and I was just very pleased to see a specialty store…

  • THE GOLEM (1920)

    THE GOLEM (1920), originally titled THE GOLEM: HOW HE CAME INTO THE WORLD (Der Golem, wie er in die Welt kam), has an interesting cultural lineage, at least in regards to the lovely DVD put out by Kino Lorber. Introductory texts to the film report that the majority of the footage in Kino’s release was…

  • THE PICTURE OF DORIAN GRAY (1973)

    Producer Dan Curtis resurrects another literary classic for the small screen in this stately—if slightly dry—adaptation of Oscar Wilde’s novel. After having his portrait painted by famed artist Basil Hallward (Charles Aidman), the young and beautiful Dorian Gray (Shane Briant, FRANKENSTEIN AND THE MONSTER FROM HELL) comes under the wing of hedonistic aristocrat Sir Harry…

  • CONGO (1995)

    The wife and I decided to celebrate the birthday of our mutual idol/love interest Tim Curry by viewing CONGO (1995) on Netflix Instant, a film I had never seen before but was cautiously intrigued by mostly due to my wife’s go-to impression of tapping her chest and chiming “I’m Amy!” whenever the subject of the…